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In Thief, Barry (who gets killed by Leo’s men) wears a jacket on several occasions, including when he dies. In The Jericho Mile, Stiles (who gets killed after making a deal with the wrong people) often wears a red shirt and red headband. Green and red symbolize danger, malevolence, harm or death.
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After a while, you tell the walls ‘my life is yours’.” -Thief (1981) “ …this is a dead place, a child in eight by four green walls. This is no longer part of a legal process, this is personal. He also puts on a black t-shirt when preparing for the final showdown. In Blackhat, Hathaway wears a black shirt when he learns he’s now wanted by both the US and Chinese governments for hacking the NSA. She’s a criminal, so by helping her get away he’s breaking the law. In Miami Vice, Sonny drives Isabella to a safe house in a black car. In Heat, before Chris switches to a white car when he tries to hide from the law (as mentioned above), he drives a black car. In Manhunter, Will wears black every time he gets inside the killer’s head, something he said he wouldn’t do again. In Thief, Frank and his partners wear black welding gear during the film’s main safe-cracking scene.Īnd Frank wears black when he decides to let go of his family so that he won’t have anything to lose anymore. In the end, Hathaway wears white and gray again as he wants to hide among the mainstream population.īlack symbolizes illegality, breaking the rules, rebelliousness. When Lien pretends to be a corporate lady, she’s wearing a white dress. In Blackhat, military officer Chen of China’s cyber warfare unit is being driven in a white car.Īs a prison inmate, Hathaway wears white and gray clothes, surrounded by the prison’s gray walls. In Public Enemies, Dillinger wears a white shirt in the climax as he tries to blend in with the crowd. They are no longer undercover, they are now openly acting as enforcers of the law. In a scene before the climax in Mami Vice, Sonny and Ricardo are in a white hangar with other detectives preparing for the final showdown with the criminals, and they drive to the location in a white car. He is about to leave his criminal life behind and assimilate into society.īoth Neil in Heat and Vincent in Collateral wear gray suits with white shirts to be anonymous, so that potential witnesses would have a hard time describing them to the police. While Neil is driving to the airport with Eady, he goes through a tunnel with bright white lights. The interior of Neil’s condo in Heat is white and gray, highlighting the emptiness and sterility which Neil maintains in order to pursue his criminal activities without compromising his identity.Īfter the bank robbery, Chris has a new haircut, fake ID and drives a white car in order to go incognito. The houses of the victims killed by Dollarhyde, bland upper middle-class suburban families, are white with gray exterior. In Manhunter, Lecktor’s cell and the interior of the clinic where he is being held are white, the exterior of the clinic is gray. When Frank and Jessie go to an adoption agency, the clerk who denies them is framed with white lights behind her. In Thief, the office walls of Frank’s car dealership are gray, as are the walls of the prison visiting room where he visits Okla. White and gray symbolize mainstream society, conformity, as well as institutions (state or corporate). Like many filmmakers, one of the ways he conveys mood and meaning is through his use of color which is particularly striking. Michael Mann’s films have strong visual aesthetics.